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Posted: 16 Apr 2018, 21:22 

Regarding newer 4k TVs, specifically Sony brand...

I used this site as a starting point for my settings:

They have extensive information and tests for calibrating your TV/monitor. Where a lot of the info you see online is questionable I trust these guys due to the level of detail and extremes they go to with product testing.

Anyway, I've been tweaking settings back and forth for a while on this TV and feel like I've found the ideal settings for LD on this display (Sony XBR55X810C). This TV has memory for each input so you can set the Composite input correctly without affecting other inputs.

Aside from the actual picture settings which I made with Video Essentials, there were a few settings that I had not initially utilized until recently. Those settings being the "Motion Flow", "Cine Motion", and any kind of Noise Reduction.

Re-visiting the site linked above I was drawn to the section on 24p playback and motion interpolation. I had avoided these settings previously because I don't like the soap opera effect (SOE) and don't want to be adding fake frames that don't exist.

Then, after reading the individual sections by clicking on the "learn more" links I realized what this was; an inverse telecine circuit! As you can see in the review, my TV handles 24p over 60i. It is a 120Hz display so it will deal with anything you throw at it.

Basically, by setting "Motion Flow" to "True Cinema" and the "Cine Motion" to "High" you are detecting 24p content that has been telecine-ed to 60i, it reconstructs the original 24 frames and then uses the 120hz refresh to do a 5:5 conversion also preserving the original 24 FPS of the film. This has made a significant improvement in clarity and motion for me.

Sony has used these terms in previous models and they have not always had the same effect. They have, in the past, been synonymous with the SOE. Depending on your model the above info may not be accurate. I can tell you that on my display I'm not seeing the SOE and watching a LD feels normal.

In addition to that, which is huge, there are built-in noise reduction circuits for "Random Noise" and "Digital Noise". I've set "Digital Noise" to "High" and that has greatly improved titles that aren't as clean as some of the latter releases. Cleans them up really nice without artifacts. I don't notice any improvement with the built-in VNR on the CLD-D704 but I think that only applies to S-Video output anyway, which this TV does not have. If I toggle it on/off it doesn't seem to negatively affect a title that already looks decent so I leave it on for now (I'm watching the Connery Collection, Goldfinger and it looks great zoomed in).

Blacks are like midnight.
Colors and resolution are insane.
Motion is accurate.
SW zone plate is clear when still.
Zoom works great.

My only complaint is that there is overscan. I can't see the edge of the SW test plate in any direction. Feels punched in. Has nothing to do with the bezel (at least on the L/R sides). It isn't terrible but it ain't right either :(

I hope that has been informative and maybe even helpful.

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Posted: 28 May 2019, 18:02 

Welcome to the Sony 4K club ;)

I'm glad people are realizing that modern TVs can present a nice image for LD out of the box. It may even rival magic boxes costing thousands of dollars. Maybe.

The fact that you may need a breakout cable moving forward is not ideal but as long as it works - it works. Glad you figured it out and thanks for sharing your experience.

With regard to AR settings on a Sony, as mentioned, you only really need "Normal" (4:3) and "Zoom" (1.78:1 Letterbox = Full Screen). A 2.35 movie would be correct on the Zoom setting. 1.66 movies are hard to get right however. I'll usually use the Normal 4:3 setting and know the top and bottom are slightly cropped. If you need to matte out burned in subtitles (Japanese movies) then you are SOL on that front.

Scaling is fine nothing to mention, like ringing.

I highly recommend looking up your TV or one you're looking to buy and seeing if it has the features you want/need at this website:

They do pretty deep testing and have good explanations of their findings and methods. Of note were the motion settings and Color Temperature settings.

Motion Settings for Sony's:

According to these guys the Sony's are able to do inverse telecine on 60i signals then they do a 5:5 of the 24p for the 120Hz panel so you get smooth accurate motion. Not sure how they do on animation with odd cadences but the Looney Tunes stuff looks good to me. Comb filtering is about as good as it gets IMO. Colors are nice but don't "pop" as much as on my Faroudja.
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